1) How did you learn your craft? Who did you learn from?

I learned my foundation of fit and construction at Central Saint Martins in London, where I earned my BA in Menswear Design. 

During my tenure as senior mens designer at Billy Reid, I established friendships and mentorships with the craftsmen who created the leather jackets and shoes. Over the years in establishing Savas, these guys were monumental in my growth as a leather tailor. 

2) There's a degree of permanence when working with leather, how does this affect your bespoke process?

We measure thrice, and cut once. Our pattern making and fit processes are very thorough, in order to minimize potential alterations. We work with extreme precision and also have ways of manipulating the materials in order to tweak the fit when necessary. 

3) How do you source your materials? What do you look for? What makes them special? What makes them Savas?

We work with only 3 tanneries, and are extremely close with them. They are the true masterminds, always experimenting with new techniques for us. Two foundational elements of our leathers are that 1) they are hand finished; either through dyeing, manipulation or painting and 2) that they are intended to age beautifully. 

4) Music has clearly had an impact on your product and brand, how did this relationship develop?

I have always been inspired by music, and many different kinds. From classic rock and roll to instrumental Moroccan sounds. One note can change your mood, and I believe that our jackets do the same thing. 

We obviously work with a lot of professional musicians, however most of our client base are guys who really love music, but may do something different for their career…..

5) What inspired this choice to have a fully American Made product?

The end of American craftsmanship is a scary thing. Even in my short time in this business, I have been witness to countless closures and also poor workmanship in order to save a dollar. I want to be a part of keeping the craft alive as long as possible. 

6) What do you recommend to someone looking to take home their first leather jacket, and how best to incorporate it into their existing wardrobe?

You should wear your jacket, it should not wear you. 

That is my most favorite statement, and it rings very true. If you are in a leather jacket that fits you beautifully, you do not need many bells and whistles. I believe a material should speak for itself, and it doesn’t have to be a “statement” piece, but something that works seamlessly into your existing wardrobe. 

7) Can you describe your own personal style? Do you have a standard "uniform”?

I personally keep a fairly straightforward silhouette with what I wear. A flattering high waist, but usually through items that are classically fitted. There is always an element of “menswear” and utility, whether it be a great tailored leather jacket, or a sturdy boot. I also believe in the use of natural fibers, and usually stick to cottons, silks, linen and leather.

8) Given your focus on style, do you have any favorite cultural icons, or menswear references?

I love to design for Mick Jagger and all the folks he would play golf with. The Savas man is a cast of characters, from lead singers to the business managers and bankers that keep the show running. 

9) What are your interests outside of your work?

I recently purchased a 1982 380SL Mercedes. I never understood the obsession with cars until I learned for myself. Otherwise, I love spending time in my garden and relaxing with my dog, Leo. 

10) Chain-stitching is one of your areas of expertise. Can you tell us about how you work with the machine? What sort of designs do you think work well with the technique?

Chainstitch machines were invented in the late 1800s, and the technique has never changed. It's a beautiful form of artwork, where the creator has to be completely in tune with the machine. It is hand operated with a knob under the machine that controls the direction you stitch. It is similar in concept to a tattoo, in terms of the way you fill the colors, and how it can be conceptualized. I love creating these details for the inside of our jackets, where it is something special only for the beholder.